This article focuses on theatricality in Enrique Lihn’s poetry as a way of articulating the collective, the urban, and the media spectacle in three moments of expression. Firstly, the beggar as urban spectacle of poverty. Secondly, the transvestite as a subject upon whom gazes intersect. Finally, the figures of television and torture as opposed in terms of media and political influence, visibility and invisibility.
Ayala, M. (2012). The beggar, the transvestite, television. Urban theatricality and spectacle in the poetry of Enrique Lihn. Revista Chilena De Literatura, (82). Retrieved from https://revistaliteratura.uchile.cl/index.php/RCL/article/view/24844
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