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Abstract
This essay represents an approach to the novel of Carlos Fuentes'
The deterioration of the house, in contrast to the technological progress, is linked to the decrepit body of the old woman, Consuelo. The dark within the building correlates to the obscurantism and witchery that will lead to the alienation of Felipe Montero. On the basis of the grotesque as expounded by Wolfgang Kaiser, and the sinister, as propounded by Freud, the idea is to emphasize the significance of Aura in the Hispanic American tradition, which proposes a dissident narrative against the novel of progress and technological advance. This tendency also includes novels like J. Donoso' El lugar sin límites, J. Rulfo's Pedro Páramo, and M. Otero Silva' Casas muertas.
Aura, a novel which explores the re-writing of the gothic, and above all, the relation of the dead city to the abandoned town, in the perspective of the apocalyptic space understood as the parallel disintegration of the space, of the bodies and the minds.
